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Bachata Innovation
I like the salsa, bachata dance does not become popular gradually only the U.S. but worldwide. But there are some dancers do not, instead of rejoicing in the popular bachata, which are affected differently is dancing bachata how dance. Perhaps partly be explained in this article bachata is where it's supposed to happen.
It's called innovation. Innovation in Latin dance is not is really a modern phenomenon. In fact, innovation does not dance begins and ends with Eddie Torres and Francisco Vásquez. Although Eddie was one of our very contemporary dance innovation, innovation is as old as the traditional Cuban son and bachata themselves. In fact, all the Latin dances is a product of innovation. The annals are full of examples: Son Cubano, Rumba, Cha Cha Cha, Cumbia, Bolero, Merengue and Mambo are just a few.
To define innovation, a device or process created for study and experimentation, the creation of something in the mind.
Since the constant innovation of street dance such as bachata is not new, there is a tendency great concern in many of today's bachata dancers. Is the tendency to cavalierly throw to proclaim the true style of bachata dance, supposedly better than the others. Of Indeed, many of these teachers called and dancers are motivated by all the wrong reasons. Some seek the personal satisfaction of money or fame. Others simply do not have the discipline to persevere in a particular style of dance, while others are closed-minded, not to speak of the territories, who refuse to acknowledge (in a period of reflection) other "colors, except black or white.
Many dance teachers are not aware of the complexity, responsibility and innovation inherent in the sacrifice of Invalid dance. They do not understand that innovation is an evolutionary process methodical modification and refinement, rather than a revolutionary product from scratch. It requires passion and countless serious experimentation. The motivation must come from the depths of the soul, heart and mind.
I hope to give my readers an impartial look at my own search for dance innovation and acquisition. I will try to provide an overview of the logical infrastructure Dance, the thesis Dance, and the research needed to dance a dance style innovation logic. I will also share a brief story of how I dance I dance bachata style.
The infrastructure of a dance
It is ridiculous to think about developing a new style of dance, without a large infrastructure or background in body movement. By infrastructure, I am not referring to superficial excursions in various styles of dance. I speak of the foundation, knowledge base, and a cornerstone. knowledge base can be built only on training, theory and practice. All the great innovators have been obsessed with the constant experimentation and practice, and each had a broad base of art before considering innovation.
International Ballroom of America has played an important role in my history of dance from the beginning. During these years I have been perfecting skills and techniques necessary for the ball great, and helped me understand the complexities of dance in general. Front room of dancing, I have extensive training in martial arts, studied and familiarized myself with the dynamics body and kinetics to win myself a fourth degree black belt and a certificate of fitness training. For many years I have been teaching others these same techniques and principles to help them achieve their social goals or competition. While I am committed to spreading the bachata dance, I also specialize in other dances such as salsa dancing, not practice ball well, preferring the free dance, rather than a structured way.
Provides a sound physical basis for creativity, mental, and a style of dance very well. extensive training in dance and developing refined attributes of dance (ie, speed, power, time, balance, accuracy, fluidity, grace, the socio-building, etc..) Extensive intellectual understanding of dance techniques are essential to any effort to change and improve. Theoretical studies and conceptual innovation are the key stones.
Finally, a solid start to open the dancer within me in creative dance. The innovator must become his art. In other words, no shortcuts! Each innovative dance starts at the bottom and work your way. The largest were beginners. If you are not willing to adopt the principles and forget about the rush to change and create. An innovative dance can only succeed with a deep awareness of different movements, techniques and items related to dance. Innovation requires that you learn to walk before you run.
The thesis of the DANCE
Greater innovation in all areas is based on a thesis. The thesis may be an aphorism, a concept, the State or any other valid reason to change and go beyond, which has already been established. Usually an argument is the culmination of a process of analysis. This is not something "invented" or created by the whim or fancy. Each basic thesis Innovation origin as has happened before. For example, in science theory of relativity Einstein could not have been possible without the Newtonian physics and the important discoveries in electromagnetic physics before. In the Cubist and Abstract Expressionist art owes much to the traditional realistic findings. Bruce Lee would not have developed his style, Jeet Kune Do, if he had not received extensive training in the art of Wing Chun in the first place.
The same is true for dance! The changes and innovations in science are based on scientifically proven theory. Thesis for the innovation of dance can be the result of cultural eccentricities or any number of other factors, including geography, culture and topography. For example, historians attribute the development schedule of the measures of salsa or mambo rhythm of tumbao key. Similarly, brightness salsa bongos is attributed to fast.
Given the important role of innovation theory is also concerned that many many so-called "innovative", made for creating and promoting new dance styles without the background, study and analysis necessary to formulate a valid reason for change. I know some of these self-proclaimed experts are motivated for the wrong reasons. For example, the innovative "called" the original cast dancing because his knowledge of history, tradition and culture is minimal. Developed a dance style changes according to their limited knowledge.
In my case, I spent more than 8 years in practice, study, research and analysis of the bachata dance styles. I have long studied music, history and culture. My 15 years of experience in Latin dance (salsa on1, On2, timba, son, Casino, merengue, paso doble, rumba, cha cha, samba, tango) has helped me a lot since I got to know Dominican bachata dancing at a restaurant in New York. I saw countless bachata dancers in clubs and social partners. Also carefully Dominican seen many dancers and even befriended some of them. These experiences have led me to the realization that many of the key concepts of the methods and styles available were not taught or established in the dance classes known as bachata and workshops. More and more alarming, it became obvious to me that accurate information is passed overlooked. My main concern focused on the notion of hip movements, associated with the capacity and the basic steps. side steps the slide became supply. hip movements became grind or hump detection. dance partner and became strong ability robotics without sensuality and passion.
Originally, the notion of the bachata dance was formulated based on simplicity, sensuality, sexuality, romance, sanctions and dancing at house parties, holding backyard, brothels and bars. Of course, over time, bachata music became more acceptable in a romantic and passionate. Thanks to innovators such as Anthony Santos, Juan Luis Guerra, Aventura, Frank Reyes et al. They helped to innovate bachata music today.
IN SEARCH OF DANCE
Research is ongoing and laborious process of observation, analysis, test and document information relevant to the thesis that the innovator. There are two major categories research that actually overlap significantly: academic research and practice.
University research is a process requires dedication, patience and an insatiable desire to learn. The innovative really have to want to know all there! Once again, the discussion between the image on the very important role of a beacon, directing you to information that is of some importance, and having in its ultimate goal. Not likely to waste time sorting and separation of data valuable to a lot of waste and misinformation.
The research is to read and watch the birds of prey all kinds of dancers. One thing important to keep in mind is that the body of printed material on Latin dance, especially salsa geographically has changed in the last 20 years. title = "bachata" Teaching DVDs> and the Internet have added a new database and interesting, and workshops are available throughout the world. Bachata information on the Internet is catching day. But allow me a word of warning: the innovator can not passively exposed to these sources. The literature should be dissected and recorded. Videos must be watched over and over time. The music must be heard and understood. strategic perspectives and weaknesses should be recorded and analyzed in the papers. And finally, workshops and programs training must be accompanied with an open mind, balanced with healthy skepticism.
realistic search begins. Information was taken innovative references, and refined theoretical applications. Time to break with the board and head for the lab. Obviously, there are difficulties for simple and robust approach to research or experimental practice. Somehow, somewhere, has to do the innovative things. The dance club is the answer. The innovative dance will have a number of social, with all kinds of dancers to check the result of his concept of the new dance. It is the only way to test the hypothesis of the innovator. In short - the innovative must have experience in the hands of dance in clubs with all kinds of dancers, if you go to Gospel It should lead by example!
Finally, once the theoretical and practical innovation have merged and its compatibility hypothesis tested and proven enough, it will be able to crystallize and articulate a truth dance, in this case, his own style of dancing bachata. Over time this process and the resulting truths build and evolve. Finally, if successful, research innovative experiments lead to the structuring of a complex set of truths. This will be the innovative style of dance and classes. This may sound easy to some, but I can say that it is not. It was not easy for the King of Mambo, Eddie Torres Mambo to develop modern. Not a revelation of the night Frankie Martinez to develop a style Abakuá. And it certainly was not easy for Francisco Vasquez LA style with his electrifying dance 1. Of course, the last of the important factors of innovation is people like her? Did you like? Feel? Or more precisely, your partner like him?
About the Author
Rodney "Rodchata" Aquino is one of the most sought-out Latin Dance teacher in United States. He is the founder of http://www.Salsagang.com and a Latin Dance website called http://www.Rodchata.com, a one-stop resource for bachata and salsa. His new projects, iBachata.com & Dance2Success.com, are coming soon. He had been dancing Latin dance for 10 years. He has a Masters Degree in Psychology, a certified Personal Fitness Trainer and holds 4th Degree Black Belt in the Martial Arts. You can contact him at Rodney@rodchata.com
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